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Book Title: 3 New York Dadas and the Blind Man|
The author of the book: Marcel Duchamp
Date of issue: January 31st 2014
ISBN 13: 9781900565431
Format files: PDF
The size of the: 9.82 MB
Edition: Atlas Press (GB)
Read full description of the books 3 New York Dadas and the Blind Man:Three New York Dadas and The Blind Man relates the story of the triangular relationship between Marcel Duchamp, Henri-Pierre Roche and Beatrice Wood, told in the words of two of its protagonists; and also reprints in facsimile the Dadaist magazine they produced together in New York in 1917: The Blind Man. The principal text is the first English translation of Roche's novel Victor, an account of his friendship with Duchamp (nicknamed Victor by his close friends in those days). Although unfinished, Roche's text offers a unique account of New York Dada, all of whose principal characters and events make an appearance: Francis Picabia, Arthur Cravan, the Arensbergs and their soirees, the Blind Man's Ball and the scandal of Duchamp's -Fountain- at the Independents exhibition, a pivotal moment in modern art. The novel offers interesting insights into the sexual politics of the period, when a woman could be arrested or blackmailed for spending the night with a man to whom she was not married. Roche, a lifelong friend of Duchamp, appears to have been something of a devotee of triangular relationships, and went on to write a more famous novel on the topic (also autobiographical), Jules et Jim--later made into a film by Francois Truffaut. Beatrice Wood's account of these events is taken from her memoirs; she went on to become a celebrated ceramicist, dying in 1998 aged 105. The introduction and commentary is by Dawn Ades, the well-known scholar of Dada and Surrealism.
Read information about the authorMarcel Duchamp (also known as Rrose Sélavy) was a French artist (he became an American citizen in 1955) whose work and ideas had considerable influence on the development of post-World War I Western art, and whose advice to modern art collectors helped shape the tastes of the Western art world.
While he is most often associated with Dada and Surrealism, his participation in Surrealism was largely behind the scenes, and after being involved in New York Dada, he barely participated in Paris Dada.
Thousands of books and articles attempt to interpret Duchamp's artwork and philosophy, but in interviews and his writing, Duchamp only added to the mystery. The interpretations interested him as creations of their own, and as reflections of the interpreter.
A playful man, Duchamp prodded thought about artistic processes and art marketing, not so much with words, but with actions such as dubbing a urinal "art" and naming it Fountain. He produced relatively few artworks as he quickly moved through the avant-garde rhythms of his time.
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